Pere Ubu Individual Biographies

Home of the Avant Garage

---

David Thomas Robert Wheeler Tom Herman Michele Temple Steve Mehlman

Jim Jones Keith Moliné Andy Diagram Dids

Solo Recordings:
1981 - Sound Of The Sand (Rough Trade). 1983 - Variations On A Theme (Rough Trade). Winter Comes Home (Re Records). 1985 - More Places Forever (Rough Trade/Twin Tone). 1986 - Monster Walks The Winter Lake (Rough Trade/Twin Tone). 1987 - Blame The Messenger (Rough Trade). 1996 - Erewhon (Cooking Vinyl & Tim/Kerr). 1997 - David Thomas, Monster (Cooking Vinyl & Tim/Kerr), 5-cd box set. 1999 - Mirror Man (Cooking Vinyl & Thirsty Ear). 2000 - Bay City (Hearpen & Thirsty Ear). 2001 - Surf's Up! (Glitterhouse & Thirsty Ear). 2004- 18 Monkeys on a Dead Man's Chest (Glitterhouse & Smog Veil).

David Lynn Thomas, b. 1953 in Miami, Florida. Raised in Cleveland Heights, Ohio. High School Graduate. Son of an American literature professor from New York City and an illustrator / amateur architect from Georgia. Oldest of 3 children. Brother is a chemical engineer & internet harvester. Sister is a government geologist specializing in water table research.

Founder of legendary avant-rock band Pere Ubu, singer David Thomas has been re-writing the rules of popular music for more than 30 years. Formed in Cleveland OH in 1975, Pere Ubu integrated found sound, analog synthesizers and musique concrete into a hybrid of overdriven midwestern garage rock tempered by abstract sensibilities. The band's first release, The Modern Dance (1978), can be found on all sorts of critics' lists of "The Great Albums." Over the years Pere Ubu has released a stream of uncompromising, highly original records, the latest being the acclaimed and noir-ish Why I Hate Women (2006).

As a complement to his work with Pere Ubu, Mr Thomas explores implausible creative configurations and seemingly arbitrary production methods. The Sound of the Sand (1981), configured around English folk-rock guitarist Richard Thompson, has been followed by a series of eclectic, unpredictable and ambitious releases, the latest being 18 Monkeys on a Dead Man's Chest by David Thomas and two pale boys. A duet with Scottish singer Jackie Leven called UBUDOLL and a one man show called "Surf's Up In Bay City" are ongoing projects.

Recognizing that a fundamental theme of Mr Thomas' work is the gestalt of culture, geography and sound, the Department of Cultural Geography at Clark University (Worcester MA) commissioned a lecture, The Geography of Sound In The Magnetic Age, in 1996, delivered, as well, at the Gerrit Rietveld Akademie, Amsterdam, later that year.

In April 1998 London's South Bank Centre commissioned Mr Thomas to curate a 4-day festival of his work and related interests, David Thomas: Disastodrome! The commission included the premiere of a major work, a theatrical / musical / storytelling production, Mirror Man. A second production of the Mirror Man piece was commissioned by the FIMAV festival in Victoriaville, Quebec, May 21, 2000, and the Contemporary Music Network sponsored a full theatrical production for a seven city tour of Britain in May 2001. In September 1998 Mr Thomas curated a similar four day event at the Knitting Factory in New York City called The Fall of The Magnetic Empire., and UCLA Performing Arts commissioned a 3-day Disastodrome, Feb 21-23, 2003 which featured another iteration of Mirror Man, with Van Dyke Parks, Frank Black and George Wendt guesting.

In April 2008 the South Bank, London, commissioned a two day performance of Mr Thomas' adaptation of Alfred Jarry's Ubu Roi. Bring Me The Head Of Ubu Roi is a musical interpretation featuring the band Pere Ubu with guests Sarah-Jane Morris as Mere Ubu and Gagarin contributing atmospherics. Members of the band Pere Ubu also played minor cast roles.

• Performed John Cage's Aria at the American Pioneers festival at the Barbican, London, October 24 1998.
• Featured in Hal Willner's production of the Harry Smith Project at Royce Hall, UCLA, Los Angeles, April 25 & 26, 2001, partnering with Van Dyke Parks, Percy Heath, Eric Mingus, David Johansen, Steve Earle, Philip Glass, and Bill Frisell for 2 songs. "Fishing Blues" and "Way Down The Old Plank Road" appear on the 2-cd/2-DVD box set release in the fall of 2006 on Shout! Factory entitled "The Harry Smith Project, Anthology of American Folk Music Revisited."
• Co-starred in the London West End production of the "junk opera" Shockheaded Peter for a 3 month run at the Albery Theatre, St Martins Lane from April 4 to June 16, 2002. His improvisational group, the two pale boys, reworked the musical score and also featured.
• Featured in Hal Willner's production of "Let's Eat - Feasting on the Firesign Theatre," April 1 2004, at Royce Hall, UCLA, Los Angeles, along with Todd Rundgren, John Goodman, George Wendt, Loudon Wainwright, Howard Hesseman, Mark McKenney, Scott Wanio, Chloe Webb, and Stan Ridgeway.
• Featured in Hal Willner's production of "Perfect Partners: Nino Rota & Federico Fellini," April 24 2004, at the Barbican, City of London, along with Carla Bley, Geri Allen, Roy Nathanson, Beth Orton, and Roger Eno.
• Performed "Starship" with the combined MC5/Sun Ra Arkestra at the Royal Festival Hall, London, on Feb 25 2005.
• Delivered papers at EMP Pop Conference 2005 ("Lessons In Mayhem: Ghoulardi") and EMP Pop Conference 2006 ("Morphic Resonance, Siberian rock bands & Unknown Instructors") in Seattle.
• Performed "Alabama Song" with the London Sinfonietta on Brecht Night at the Patti Smith Meltdown at the Royal Festival Hall, London, on June 23 2005.
• Contributed two songs (Dan Dan & The Drunken Sailor) to Hal Willner's Rogue's Gallery: Pirate Ballads, Sea Songs & Chanteys, released Aug 22 2006 on Anti/Epitaph (Anti 6817-2). Other contributors include Bono, Sting, Lou Reed, Bryan Ferry, Richard Thompson, Van Dyke Parks, Nick Cave, Eliza Carthy, and Waterson/Carthy.
• Contributed three songs to Dan McGuire's Unknown Instructors album ("Master's Voice," Smog Veil SV66, released October 17 2006). In the band are Mike Watt, Joe Baiza and George Hurley.
• Featured in Hal Willner's production of "Forest Of No Return," an evening of Disney songs, at the Royal Festival Hall, London, June 17 2007, along with Nick Cave, Jarvis Cocker, Grace Jones, Marshal Allen, Baba Malle, Beth Orton, Shane McGowan, and others.
• Produced, directed and wrote an adaptation of Alfred Jarry's Ubu Roi for the Royal Festival Hall, London. Called Bring Me The Head Of Ubu Roi it was staged over two nights at the Queen Elizabeth Hall, London, on April 24 and 25 2008. Featured animation by the Brothers Quay.
• Invited to read at the 14th Festival Internazionale di Poesia, Genoa (I), June 19 2008.
• Featured in Hal Wilner's Rogue's Gallery tour of Dublin, Newcastle and London in July 2008.

Greil Marcus, Double Trouble (Faber And Faber, 2000), pgs. 167-168.
Thomas' gnostic argument - that art exists to at once reveal secrets and to preserve them - makes sense of a particularly American - or modern - form of storytelling. In a big, multifaceted democracy, you're supposed to be able to communicate directly with everyone, yet many despair of being understood by anyone at all... Out of this comes an American language that means to tell a story no one can turn away from. But this language - identified by D. H. Lawrence in 1923, in Studies in Classic American Literature, as the true modernist voice, the voice of Hawthorne, Poe, Melville - is cryptic before it is anything else. It is all hints and warnings, and the warnings are disguised as non sequiturs. The secret is told, but nonetheless hidden, in the musings, babblings, or tall tales of people who seem too odd to be like you or me, like us - like the author who puts his or her name to the story, insisting that he made it all up, that she just did it for the money.

See the Press Center for photos and more information.

Back to the Top

Robert Keen Lamb Wheeler, b. 1957 in Cleveland, Ohio. Plays electronics - an EML-101 synthesizer and homemade Theremin. He has played in Pere Ubu since 1994.

Years ago Robert dropped in at Hideo's Discodrome and owner John Thompson steered him to the "30 Seconds over Tokyo" single that had come out that day. John said, "The record is $1.95 plus tax, but you can see a whole set and another band for only $1.50 at the Pirates Cove." Robert saw Peter Laughner's Friction and Pere Ubu play their first night at Pirates Cove Nov. 11, 1976. Changed his life.

Bought an EML-101 synth, started a band Savage Tractors that lasted 5 years, then played with Dr. Bloodmoney (after Tony Maimone left), and then joined Home & Garden (after Tony Maimone left). Home & Garden at the time was Scott Krauss, Jim Jones, Jeff Morrison (vocals).

Happily married to Linda since 1987, they have one delightful daughter, Kathleen Alexis.

Fun facts:

Robert attended K-11 with David's younger brother Alan, and lived a block away from the Thomas's in Cleveland Heights.

Robert has been President of the Edison Birthplace Association in Milan, Ohio, since early 1980s. A great-great-grand nephew of Thomas Alva Edison, he lives with his family on Thomas Edison's sister's farm in Milan, Ohio. They board horses, raise chickens and grow corn, hay and trees.

Robert worked for Digital Equipment Corporation (now Hewlett-Packard) for 18.696 years repairing computers, and was a System Manager for Digital Alphas and an IBM AS/400 at a local hospital for 7.5 years. He got outsourced and is currently unemployed.

Robert and Michele Temple joined Home & Garden the same night.

Tony Maimone introduced Robert to Linda, who also plays keyboards.

A Mac Evangelist since W95 (Thanx to John Thompson and David Thomas), "My Mac can do everything your windows can, except get viruses."

Robert got a "B" on his handmade theremin in electronic school because he couldn't play America the Beautiful. "It's not a musical instrument," said the teacher. It took months to learn how to tune and work it, considering he'd never seen one before.

Side music project is Lonely Crowd.

Back to the Top

Michele Temple, b. 1959 in Van Wert, Ohio. Former Clevelander Michele now lives in New York City where she performs live music, does session work, teaches, and heads up the Urban Iguana Music Production team. Michele is a bass and guitar sideplayer and producer for various local artists including the recently completed debut effort for 14 Lines. She is also part of the hip hop production team the Jettsonz, producers of Nina Sky. Michele teaches at the Brooklyn and Brooklyn-Queens Conservatories where she counts among her former students multi-grammy winner Alicia Keys. Michele received her Masters Degree in Musicology from Cleveland State University in 1997.

Michele produced the debut of The Lisa Bridge Band. She has also played with the world's one and only E-Bow Quartet featuring Randy Hudson, former guitarist for Bongwater; been part of a hip hop production team, The Associates; and served as musical director for hip hop duo the Assembly. She guested on the Bruknahm Project CD and other releases on Overtime Records, and played guitar and bass for AJ Productions, jingle maker for European radio and television commercials. Michele has appeared at Lincoln Center with Armenian vocalist Sophia Gazarian and at the Apollo Theatre with Sony recording artist Amel Larrieux.

Academic publisher Edwin Mellon Press issued Michele's first release, The Influence of Middle Eastern Music on Medieval Italian Dances, in the fall of 2001. The Dance Perspective Foundation awarded it a prize as the most original work on dance published in English in the year 2001.

While in Cleveland Michele worked with Scott Krauss in the Pere Ubu spin-off Home and Garden, and with her own band The Vivians which included Scott Benedict, drummer on Raygun Suitcase, and Steve Mehlman, current drummer for Pere Ubu.

Michele has been playing with Pere Ubu since 1993 and has appeared on Raygun Suitcase, Pennsylvania, St. Arkansas, various other live cds and cd-roms, and in a whole bunch of live shows. She is involved in the Pere Ubu Film Group providing live soundtrack music for films.

Back to the Top

Steven A. Mehlman, b. 1971 in Cleveland, Ohio. Began drumming at the age of ten. He started playing in local Cleveland bands in 1989. He was invited to drum for Pere Ubu in late 1995 ahead of the Raygun Suitcase tour. A short list of bands he has played in: The Vivians, The Heathers, Sissy, Chump, The Terminal Lovers, and Screwtractor. Other bands he currently plays in: Roué (also www.myspace.com/roue), Liquid and Rocket From The Tombs. Steven graduated from Cleveland State University in May 2001 with a B.S. in Chemistry (cum laude). He worked for some years as a research chemist, focusing on powdered metals and rechargeable battery cathodes. He is currently working as a handy-ish man, paper delivery boy, and bar-back. In addition to music, Steve also hates the phone, books, politics, and back pain. He loves snowboarding and watching lots of TV.

Back to the Top

Keith D. Moliné, b. 1965 in Maidstone, England, of Catalan/English parentage. Lives in London, was a founding member of David Thomas and the two pale boys in 1994, and writes for The Wire. He approaches rock music from the point of view of a bewildered outsider, hooking guitar up to electronics. He occasionally uses violin, when nobody's looking. He has performed in the group Infidel, recorded solo as Mesmerist, and played electric violin with kosmische absurdists They Came From The Stars I Saw Them.

Back to the Top

Thomas E. Herman, b. 1949 in Buffalo, New York. Graduated Cathedral Preparatory School For Boys and the U.S. Army. Tom is happily married to Linda, and has four wonderful children: Avery, Sally, Irreverence, and Echo.

Tom has worked in a steel mill, a fish factory, on an oil rig, in an a.m./pm., a car wash, a couple restaurants, a couple hospitals.

Pops, as he insists on being called, started on electric bass in '66, guitar in '68. He can also play tenor sax, and synthesizer, and has some knowledge of piano. He studied music theory and composition at the D'Angelo School of Music, Mercyhurst University for a short time. Otherwise, he is mostly self taught.

Tom is a founding member of Pere Ubu. He left the band in '79. He returned to Pere Ubu in '95. He also played in other bands, notably Tripod Jimmie, with three independently released albums. In the early '80s, Tom created music for several San Francisco Bay Area performance artists.

Back to the Top

James E. Jones, b. 1950 in Cleveland, Ohio. Died of a heart attack Feb 18 2008. Graduated from Mayfield High School in 1968. He played baritone sax in the MHS Marching Band, alto sax in the concert band, and discovered an affinity for tape manipulation while in charge of the high school language lab. Jim attempted two quarters at Cuyahoga Community College in '69, but his interest in music won out. He formed the short-lived band, Lazarus, and worked as a clerk/buyer for Leo Mintz's Record Rendezvous retail chain for the next fifteen years. Jim started his own record shop, Platter-Puss Records, in '84. He sold the business in '87 after joining Pere Ubu. Jim got his first guitar in 1965, and taught himself to play in a self-devised open tuning. He was/is profoundly moved by music in nearly all forms, especially Indian music (thanks to George Harrison), 20th century classical & experimental, 50's thru 60's pop and mood music, and of course "rock" in it's many forms. Jim joined local "underground" band, Mirrors, in '74 as bass player. Mirrors shared gigs with Rocket From The Tombs and The Electric Eels (whom he later recorded with), and later transformed into The Styrenes. In '77 Jim quit The Styrenes and took some time off from work to become a member of the Pere Ubu road crew, doing the infamous Co-Ed Jail Tours of the US & Europe in support of The Modern Dance lp. Back from the tours Jim and fellow roadie, Pat Ryan, started a two-man experimental rock band called Foreign Bodies, which released a single. The next few years saw Jim honing his skills as a studio producer for a number of local Cleveland artists and bands, recording his own music, and composing electronic pieces for local theatre and dance companies. In 1980 Jim formed the raucous Easter Monkeys, and concomitantly became a member of Scott Krauss And Tony Maimone's project, Home & Garden. Gigs were played and recordings were released by both bands. Having worked with David Thomas And The Pedestrians On The Variations On A Theme album in '84, Jim was asked to join David's latest project, The Wooden Birds, in 1986. A year later that group (with the addition of Scott Krauss) became the revived Pere Ubu. Jim has recorded with the band since that time, but no longer tours. He currently appears and records with local bands Speaker\Cranker, Noble Rot, and KNG NXN as mainly a keyboardist. Jim has overseen operations of the US arm of Ubutique in Cleveland since 1990. Click here for an interview with Jim Jones.

Back to the Top

Andy Diagram, b. 1959 in London, England, has been a unique voice on the trumpet for more than 18 years. He developed his own style over that time in a variety of very different projects. Creating large soundscapes of brass with the use of electronics, looping his trumpet in multiple echo machines, and with the ingenious use of harmonizers he builds not just luscious washes of sound but also pulsating and infectious rhythms. Spending much of the 1980s in Manchester, he recorded and toured with a range of bands on the rock, pop and jazz scenes, from Diagram Brothers and Dislocation Dance to James. Moving to London in 1992 he became a founder member of The Honkies which stormed the London improvised music scene of the early 90s. He now records and tours the world with his own, much acclaimed band The Spaceheads, where his unique sound and melodic sense are complimented by the emotive rhythms of drummer Richard Harrison. He has also been recording and touring with David Thomas as a member of the two pale boys since 1996, and became an associate member of Pere Ubu in 1999.

Back to the Top

Dids (Graham Dowdall), b. 1954 in Lewisham, England, is a percussionist, composer, sound designer / mixer. He started out as drummer in Manchester cult band Ludus in the 80s then went on to work with the legendary Nico (Velvet Underground) for a sustained period - touring the world and making several albums with her. He also recorded and played with John Cale as well as being part of numerous other bands and projects. He was one of the pioneers of electronic rhythm in the UK and has a wide experience of writing music for theatre and dance, remixing and also works as a community musician. He regularly performs and records under the alias Gagarin. His music is characterised by a sophisticated and subtle touch allied to tough beats and complex yet spacious and fluid programming, creating atmospheric sound and beatscapes. Over the last several years he has worked regularly with David Thomas and Pere Ubu as a creative sound mixer. His main instruments currently are electronic pads triggering and manipulating samples. In 2006 he contributed to the Pere Ubu release, Why I Remix Women, and appeared as a member of David Thomas and the pale gagarins. In 2007 he became an "associate member" of Pere Ubu and toured Europe, filling in for Robert Wheeler.

Gagarin's latest album is Ard Nev. Still firmly in the electronica camp and created using a mixture of soft and hardware the new album shows a developing sound refining his recent influences and placing Gagarin in a central position in a nascent "avant-grime" scene. The album received this review in the Wire:
Dids is currently working with two new bands - Raf & O, and Pars Radio and as Gagarin releases a new 3" CD EP called Agrichem on Smallfish in Sep 2007. He frequently gigs around London.

Back to the Top