Archived News from Ubu ProjexDate shown is the date of archiving. |
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11-Mar-09
Dave Robinson Dave Robinson, drummer for 15-60-75 during the 70s and 80s, died recently. Laura Kennedy (Bush Tetras) Benefit Laura Kennedy, one of the old Cleveland gang, and founder member of the Bush Tetras, has undergone a liver transplant and is in need of financial assistance. There is a benefit concert for her at Nick & Eddie, 1612 Harmon Place, Minneapolis, on January 17. The Bush Tetras, Suicide Commandos and Skoal Kodiak will play. Read Laura's candid and informative blog - and make sorely-needed Paypal donations, if you are able, here. More is also available at the Bush Tetras MySpace page. Discography Update Charlie Dontsurf has updated the only extensive Ubu discography out there. It's at ubudance.com. Charlie notes:
Due to the MUP concept, some links are not working in some old pages. That's a fact. I know. The MUP (Major Update Projex) is a long work in progess. It's like recording some drum parts in a studio without electricity - you have to find a way to do what you have to do! I think there's a bigger problem for the majority of you: the site is in French. I call that "the French Fries Revenge."
Charlie refers to recording drum parts without electricity. David Thomas recently finished the mix to the "original cast album" of Bring Me The Head Of Ubu Roi:
"On the last possible date in the studio before I returned to the UK I had to record some drum and percussion overdubs with Steve. A terrific storm had gone through the area the night before. I get to Suma and the electricity is out. Paul and I waited around for awhile to see if it would come back on. Around 1pm we went down the road to a Sears that was open and bought a power invertor to run off Paul's car battery. We strung extension cables down to the control room and got just enough equipment running off it to be able to record on my laptop. We had to keep an eye on the voltage meter as we powered up each unit and didn't have enough for lights. We had to finish before sunset. It was a race but we beat the clock, thanks in large part to a "heroic" performance by Steve under utterly weird conditions."
Bring Me The Head Of Ubu Roi
Pere Ubu premiered its musical adaptation of the theater of Ubu Roi, Alfred Jarry's groundbreaking 1896 play and the theatrical precursor to the Absurdist, Dada and Surrealist art movements, at Queen Elizabeth Hall, London, on April 24 and 25. The adaptation, Bring Me The Head Of Ubu Roi, written by David Thomas, features 14 new songs as well as various musical "interludes." Independent film-makers The Brothers Quay devised a unique visual staging in the form of animated wide-screen projections. Sarah Jane Morris (ex-Communards, Happy End, etc) features as Mère Ubu, partnering David Thomas as Père Ubu. Gagarin adds an atmospheric soundtrack by means of electronica. Band members perform minor cast roles, as well as performing in their usual musical roles. Click here for more information. Mark Price Mark Price, bass player from Akron band Tin Huey, died November 6 after a bout with cancer. Tin Huey, in the early 70s, was far out ahead of the rest of us and was the standard by which we all measured ourselves. An example of the inspiration that was Mark Price can be found in the spoken word Water Piece. Ubuspotting 2 This from Frank Mauceri: "Single greatest 45RPM record of all time..." Ubuspotting This from John Minkoff: "Was it of interest to you when painter Dana Schutz quoted your "Meadville" stage banter (if that's the right term), naming her recent show at Zach Feuer Gallery "Stand by Earth Man" and quoting your "fortean times" soliloquy in the show's press release?" Pennsylvania The Director's Cut is now on release everywhere by Cooking Vinyl. Up til recently it was only available in the USA / Canada. The Director's Cut of Raygun Suitcase is still only on release in the USA / Canada. Pennsylvania: http://www.ubuprojex.net/pa.html Raygun Suitcase: http://www.ubuprojex.net/rgs.html The Modern Dance 2005 Master At some point in July 2008 Cooking Vinyl will be releasing the 2005 Master of The Modern Dance, replacing the 1994 Master. The catalog number remains COOK CD 141 but the new release is identifiable by the phrase "2005 Master" located below the catalog number on the back tray card. Cooking Vinyl distributes it everywhere but the USA/Canada.
Note: In April-ish 2008 a batch of defective Modern Dance cds (COOK CD 141) got past Cooking Vinyl quality control. They were recalled in June 2008. This is the last of the 1994 Master issues. If you have one of these return to the retailer for a refund.
Discography Questions
This from Norway:
I work as a music writer as well as an employe in a large record store in Oslo, Norway. I wanted to let you know that I've noticed that there still seem to be a batch of the defective pressing of The Modern Dance (Cook CD 141) around, at least here in Norway. By normal procedure, my store will contact the distributer of Cooking Vinyl in Norway (Tuba Records) about the problem, but I thought you should know as well.
Remember to look for the text "2005 Master" on the back inlay card near the Cooking Vinyl logo. This insures that not only do you have a good copy, it is also the latest master.
Charlie Dontsurf, webmaster of the exhaustive discography at ubudance.com, asks the following questions:
(1) Was Terminal Tower ever actually released as a cd by Rough Trade in the 80s? The booklets in the other releases mention it (Rough US 58/Rough CD 83) but we can't seem to find any evidence of an actual release.
Please contact us if you have any answers.
(2) From your responses it's clear there was a corrected vinyl release in the UK. Thank you. |
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21-Oct-08
Bring Me The Head Of Ubu Roi Pere Ubu premiered its musical adaptation of the theater of Ubu Roi, Alfred Jarry's groundbreaking 1896 play and the theatrical precursor to the Absurdist, Dada and Surrealist art movements, at Queen Elizabeth Hall, London, on April 24 and 25. The adaptation, written by David Thomas, features 14 new songs as well as various musical "interludes." Independent film-makers The Brothers Quay have devised a unique visual staging in the form of animated projections. Sarah-Jane Morris (ex-Communards, Happy End, etc) features as Mere Ubu, partnering David Thomas as Pere Ubu. Gagarin adds an atmospheric soundtrack by means of electronica. Band members perform various minor roles. Click here for more information. Click here for background press fodder and interview questions. Report from David Thomas:
Thursday night, opening night, was a bit of a shambles. For various reasons, it was the first time we were able to run thru the piece from beginning to end. And a number of structural and technical problems were exposed. The most disruptive problems were (1) on stage we were unable to identify fade to blacks at the end of scenes (the stage was dark to start with and a fade to black on an already dark stage, we discovered, is hard to determine. Confusion amongst on-stage cast and musicians ensued); and (2) since the play's narrative is driven by song lyrics the audience had a hard time making out what was supposed to be going on. (I have subsequently discovered that the narrative of a musical is not usually carried by song lyrics. Hey! Who's to know these things? I thought that was the deal.) In any case, I inserted brief narrative interludes between scenes for the Friday performance and this seemed to fix the principal issues. Friday went relatively smoothly though some noted that they missed the tension and chaos of Thursday's performance during which I tried to cover clunky bits by throwing "rages," which had always been the backup plan.
Jim Jones
Jim Jones died of a heart attack at his home in Cleveland on Monday, February 18. He was 57. Mike DeCapite posted a tribute. hearpen.com On December 11 hearpen.com went on line. It is a web site dedicated to sales of Ubu and Ubu-related downloads. It offers live recordings from across the decades, going all the way back to the Pirate's Cove days. As well there will be, from time to time, studio recordings that for one reason or another were not deemed "worthy" of a commercial release or that have become unavailable through commercial channels. A limited number of video releases will also be available. The plan is for new releases, music or video, to go online the first Tuesday of every month. We have hesitated to get involved in the download marketplace. We did not want to cede control of our productivity to others. Still, times change. The market changes. And though we do not (change) it's better that something of quality be heard than not heard, seen than not seen. We will therefore own and operate the download site ourselves ensuring editorial control and that musicians get paid. In any case there is a full-ish explanation of the aesthetic and technical issues involved. The site is run in conjunction with Smog Veil Records. They are Clevelanders. New Shirts The new shirts are in. All John Thompson designs. Two of our most popular designs - Return To The Avant Garage (black) and Modern Dance In French (white) - have been revised. The MDF shirt features the corrected French translation on the back (thanks to Charlie Dontsurf). We've also printed a trial run of a pink Why I Hate Women. Some of us are skeptical. Johnny is convinced. This is a consequence of allowing Johnny to establish pink as the official Pere Ubu color all those years ago. In any case it sports our new corporate slogan on the back: Ars longa, spectatores fugaces. (Thanks to Adrian Burns for his research.) Pere Ubu Radio Alexandre Horn, one of the cadre of French ultra-fans that includes Philippe Mury (Charlie Dontsurf), has posted Pere Ubu Radio on the dreaded MySpace. Though not official, it is an approved site. Mr Mury's site, BTW, ubudance.com is home to the most extensive discography available. European Taxes We have added a page summarizing the punitive taxes levied on musicians by various nation states. It is not comprehensive. Any contributions are welcome. Why I Remix Women Smog Veil, due to demand from distributors, has released Why I Remix Women commercially. The cd had only been previously available at concerts as a merch item. Cage-Fest and Wheeler Robert Wheeler recently appeared in Toronto, June 11, at the Ontario College Of Art And Design in a performance of John Cage's HPSCHD. |
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1-Oct-08
Comments on the MT9 Format Yet another example that the oriental mind seems to be fundamentally incapable of grasping the nature of sound.
The bells and whistles of equalization fever reminds me of cake mix. In the 60s when Betty Crocker or whoever it was invented instant cake mix they were perplexed at first why the idea was not selling to women. They ran consumer tests and found that women weren't feeling sufficiently engaged in the "creative" process - so they changed the mix to be dependent on the "cook" adding an egg. Wham-bam - the product took off. The same paradigm lies at the root of any number of product choices - Apple vs IBM, for example. The Morris Minor is the most sophisticated car ever built - it had a GO button and a speedometer (which was placed in such a way as to minimize it's usefulness.) All the computer read-outs of the modern sexy car amount to nothing more than an egg in the mix. The same applies to consumer electronics.
Fontana Reissues
It's informative to consider just what does happen in the recording studio. The array of equalization options and the racks of effects units are nearly as irrelevant as the bouncing LEDs and five band eq panels of your Japanese home hifi which is itself the product of a fearsome hierarchical methodology that seeks to achieve its aims by brutalizing sonic wave forms. Contrast that with British audio design which emphasizes speaker selection and purity of signal path. On a classic British system you get an on/off switch, a volume control and an input selector. Period. The underlying principle is quite sophisticated - "Who are YOU to screw with the sound? What makes YOU so smart?" Some years ago I remastered one of our old albums for digital reissue. It had been the first album mixed in the new Suma control room and evidently there had been teething problems involving the acoustic shape of the room that no one had been aware of and sonically there were some very weird things going on. The engineer and I got so frustrated trying to "fix" these problems with eq that we were making 15 db cuts and adding 15db peaks at random across the bandwidth just to see exactly WHAT was going on. We still couldn't alter the fundamental nature of what we were hearing. The electronics of the mixing desk had been unchanged, the recording machine was the same, the speakers were the same. What was different was the acoustic shape of the space that we had been listening in. We could make the sound hissy or boomy and we could bloat the midrange but its nature would not yield. It was locked into the spatial soundscape of a room 20 years gone. No, Sony has alot to answer for. The history of rock music has been rewritten to accommodate corporate apologists, the copyright holders of a limited set of golden oldies, and dance hysteria. (Dance in any form is hysterical.) It's interesting to see how the makers of midi-hifi systems conspire to transform the lean sounds originally targeted for AM radio into the bloated confectionery that consumers identify as high fidelity sound. It's also interesting to consider that cd technology, as originally conceived, was designed to deliver 4 channels of quadraphonic stereo, potentially as significant a development in the spatial reproduction of Sound as the Gutenberg press was for the printed word. The past fills up with failure and lost opportunities. What triumphs is the egg in the mix. The point is that recording engineers aren't electricians. They're architects. They shape space. Baffles, walls and rugs refine surfaces and define acoustic qualities. Amps are placed in hallways, toilets and closets, at the bottom of ravines or out in the woods. Singers stand in kitchens or at the bottom of stairs angled so as to face an acoustically compelling corner. An engineer I know spent 15 years collecting wood with the proper acoustic qualities. Even electronic effects, reverb and echo units, are designed to imitate space and supply presets that ape the characteristics of various sized and shaped rooms. Massively expensive boxes of electronics are valued for the ability to create nothing more than virtual spaces. None of these essential qualities of sound can be enhanced with equalization. They can. however, be tarted up to resemble a hooker's notion of couture. And in the end who do you want designing your house? An architect or Joe Blow in the downstairs flat with his "Now That's Architecture 68" cd? The four Fontana Years albums, The Tenement Year, Cloudland, Worlds In Collision, and Story Of My Life, have reissued as individual cds by Mercury Records, April 16 2007. The changes are:
The Tenement Year
The original 1988 Fontana release does not seem to have been mastered. David Thomas and Paul Hamann mastered it January 22-23 2007 at Suma. An alternate mix of Dream The Moon was substituted in the running order and five extras were added: the UK b-sides Postman Drove A Caddy and The B-Side, live in the studio recordings of Miss You and We Have The Technology for the John Peel Show (never previously released), and an alternate mix of The Hollow Earth (never previously released). As well, the sound of thunder that was found on the original Suma mix of the tracks was added - there was clearly some intention of including this somewhere for some reason. The packaging has been updated by John Thompson and added are extensive liner notes specific to the album by David Stubbs. Cloudland The album was originally mixed by Paul Hamann at Paisley Park Studios, Minneapolis MN. Subsequently four tracks were re-recorded in London and the others remixed for the 1989 Fontana release. This reissue substitutes in the running order the following Paisley Park mixes by Paul Hamann: Monday Night, Lost Nation Road, Nevada!, The Wire, The Waltz, and Pushin. Five extras have been added: the UK b-sides Wine Dark Sparks and Bang The Drum, the Paisley Park mix of Breath (never previously released), Bus Called Happiness recorded live in the studio for the John Peel Show (never previously released), and a dance remix of Love Love Love. The packaging has been updated by John Thompson and added are extensive liner notes specific to the album by David Stubbs. Worlds In Collision Four extras have been added, the UK b-sides Around The Fire, Down By The River, Like A Rolling Stone, and Invisible Man. These were demos recorded for what the band refers to as The Lost Album. The packaging has been updated by John Thompson and added are extensive liner notes specific to the album by David Stubbs. Story Of My Life Five extras have been added: an alternate mix of Come Home by Stephen Hague (never previously released), the UK b-side Fedora Satellite, and three b-sides recorded for Story Of My Life but never released - Gripless, Through The Windshield and Stoughton 529. The packaging has been updated by John Thompson and added are extensive liner notes specific to the album by David Stubbs. |
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8-Jun-08
Modern Dance in Surround Sound release RELEASED. Somewhat delayed, the 5.1 surround-sound disk of THE MODERN DANCE was released July 31 2006 in England and Europe on Silverline (catalog 284402-2). It is unlikely at this point to have a US release. (Amazon is selling it as an import for $27.99.) Glitterhouse is also selling it. The format is DualDisc. We do not have a copy of the production release at this point. One side of the DualDisc is a DVD featuring a 5.1 surround sound remix of the entire album, a 30 minute interview with David Thomas, as well as a new mastering of the original stereo album mix at DVD audio quality (96khz/24 bit). The other side of the disk is a cd audio format of the new mastering of the original stereo album (44khz/16 bit) playable on standard audio cd players.
David Thomas, who attended the remix session by Chris Haynes, reports: "This is the way we heard The Modern Dance in the studio... no, it's better than that, it's the way we heard it when we were playing it. The detailing is fantastic. The space reveals everything while still retaining the album's intensity and original intention. And the best thing is, if you want to hear something louder or quieter you just move your head a foot. Everything is there!"
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31-Oct-07
Theremin Demo
Michael Frantz reports:
"As a long time Ubu fan, I was very surprised when my wife brought home a box of Erewhon cereal. Note the spelling is exactly the same as your CD title: 'Nowhere' backwards with the W and H transposed. Coincidence?"
Unknown Instructors
Response: "We suspect they simply named their cereal after the same Samuel Butler novel we got the name from... though of course it'd be nice to think otherwise." David Thomas sings 3 songs on Dan McGuire's Unknown Instructors album ("Master's Voice," Smog Veil SV66, released March 2007). In the band are Mike Watt, Joe Baiza and George Hurley. The David Thomas songs are: This Black Hat is Rage, Tar Baby & the Rising Sun, and Doghouse Riley. Digital Downloads Tracks from the following releases are available from eMusic: Jimmy Bell (search for The Numbers Band), Folly of Youth Seedee+, Beach Boys Seedee+, One Man Drives..., and Shape of Things. Available via iTunes are The Day The Earth Met The Rocket From The Tombs, Rocket Redux and 18 Monkeys on a Dead Man's Chest, as well as most of the Ubu albums. |
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25-May-07
Ubu Tour Dates
Experimentations: Robert Wheeler will not do the April 2007 European dates. He is still a full and functioning member of the band - have no fear - but he will be replaced on synth duties by Dids of Gagarin, long-time Ubu and 2pbs soundman. Robert will return for the 2nd leg of European dates in May. Andy Diagram will join Dids and Ubu for the London show.
The Harry Smith Project
Ubu on French TV
The Shape of Things To Come
Trivia
Pirates & Drunken Sailors
Sea shanteys are a form/idiom we have visited over the decades, the most obvious example being "Caligari's Mirror," which is actually based on "Drunken Sailor." When you want a metaphor for the condition of humanity you can't do better than reference drunken sailors, mad ship captains, etc. It certainly worked for Herman Melville! I didn't set out to do radical, simply to properly interpret the song, not as a museum piece but as contemporary folk music. And, uh, drunkards don't sing that I've ever noticed in neat musical syntax. Not down at my local anyway... Dan Dan was easy, dictated by the lyric-- hard fast punk. Get in, hit hard and get out before anybody notices the mess. Mayhem R Us. I actually haven't heard mixes of my tracks yet, never mind the album. I've worked with Hal on 4-5 projects over the last few years (Harry Smith, Firesign Theater, Nino Rota/Fellini) and when he calls I first say Yes and then ask what the project is. It was a great evening in the studio. Norma Waterson, Martin Carthy, Eliza Carthy, Ralph Steadman, Ed Harcourt, Keith Moline (Pere Ubu), among others, were there and everybody was vibing on the chaos and spontaneity which is the modus operandi of a Willner session. Real seat of the pants stuff, playing with the best people. Dan Dan was the 2nd run thru. Drunken Sailor was the 1st or 3rd, I can't remember. It takes a special kind of musician to be able to deliver the goods that way and Hal knows all their phone numbers.
Ghoulardi
EREWHON Revisited
On the subject of YouTube
WIHW in GERMAN LANGUAGE
Remix
Reactions to advance copies of WHY I HATE WOMEN, the new Pere Ubu album:
Neal, the Ubu accountant reports:
Charliedontsurf (webmaster at Ubudance.com) says,
Zouba, moderator at Pere Ubu Foundation, says,
Robert Wheeler reports,
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27-Nov-06
Pere Ubu On The Air
Saturday November 18th at 7 p.m CST on Chicago Public Radio. WBEZ 91.5 FM Chicago or www.chicagopublicradio.org Saturday November 18th at 9 a.m. CST on The Current 89.3 FM, 88.7 FM Minneapolis Sunday November 19th at 5 p.m. EST on WFUV 90.7 FM New York City Wednesday November 22nd at 4pm AST on KIAL 1450 AM, Dutch Harbor, Unalaska, Alaska The podcast will be available at SoundOpinions.org the Monday after it airs.
Pere Ubu Tour Dates
British dates are at this point limited to Brighton & London. Special guest at the London show will be Stan Ridgway. See Calendar Page for state of play. More dates are hoped for in early 2007. The first USA date will be a special all-Ubu double bill at UCLA's Royce Hall in Los Angeles on Oct 29. The first set will be a live underscore performance of X, The Man With X-Ray Eyes followed by a concert set. All other dates at this point will be concert sets. Dates in San Francisco, Chicago and New York City are now confirmed. Old friends The Bush Tetras (the ORIGINAL Nerve Gas Dancers) will be special guests in New York City. Two or three more confirmations are expected soon for the end of November. See Calendar Page for state of play. A second tour is hoped for early 2007.
Pale Gagarins
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12-Aug-06
David Thomas and Rodolphe Burger.
Ubu Lounges?!?!
Director's Cut releases of RGS & PA
"The point of doing a Director's Cut is to benefit from that older and wiser thing," David Thomas explains. "We reviewed all alternate mixes from the session, sometimes discovering that an earlier mix turned out to be superior to the chosen mix. As well, 10 years later, we have access to improved mastering technology. Consequently, there is a greater clarity and cohesion to the Director's Cuts." Reaction from the Pere Ubu Foundation newsgroup (Mr Eyesbleed): "I thought I'd get RGS first, since that's my personal fave Ubu. I've only played it thru 3 times so far, but wow..... big improvement! The overall sound is hotter & crispier & crunchier. And the extremely wacky guitar playing is more out front.... along with all the bleeps & blurps. I noticed more abrasive guitar & general wackiness than before.... MAJOR plus for me! All the guitar stuff is more out front.... I guess I never paid that much attention to it before, but RGS is the perfect mix of avant-guitar & surf-guitar..... & the directors cut seems to make it all sound that much better. So....I say HIGHLY recommended. Now I must get Penn." Mr Gustav121 reports of the Amazon site, "You'll find the "Director's Cut" versions on the second page (of three) of listings. The originals are listed on the first page."
Charlie Dontsurf reports in:
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24-May-06
New Pere Ubu Album
Cloudland on Demand
I was on Holidays in Wales and found in a second hand record shop a "strange" Cloudland re-release (2004) by Universal via a Made-on-Demand service! It's a cd-r with poor artwork (no booklet) with some info on the cd (in fact: a html file with the poor artwork...) Phillipe goes on to note that though the disk sounded like a good quality reproduction there were pops and clicks on some tracks. It is the only Pere Ubu album on offer and it is the only known (seemingly) legal outlet for those wanting a copy of the record. |
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11-May-06
New Ubu
Review of Pere Ubu live from the September UK tour.
More MOJO madness
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18-Dec-05
Ghoulardi
Greatest Hits
30 Seconds Over Tokyo, Beach Boys, Birdies, Breath, Bus Called Happiness, Busman's Honeymoon, Caligari's Mirror, Chinese Radiation, Codex, Come Home, Dark, Dub Housing, Fabulous Sequel, Final Solution, Folly Of Youth, George Had A Hat, Go, Goodbye, Heart of Darkness, Heaven, Humor Me, I Will Wait, Laughing, Misery Goats, Modern Dance, My Dark Ages, Navvy, Nonalignment Pact, Oh Catherine, On The Surface, SAD.TXT, Slow Walking Daddy, Small Was Fast, Street Waves, Ubu Dance Party, Waiting for Mary, Wasted, We Have The Technology, Woolie Bullie, and Worlds In Collision. That's 40 songs - not 35 - because the difference in counts was negligible for many of the songs. Many respondents pleaded passionately that this song or that song simply had to be included and inevitably these were not top vote getters - Postcard probably featured most often in that category. A total of 167 songs received votes. Every album is represented except for Song of the Bailing Man. It's top vote getter was Big Ed's Used Farms. In the bubbling under category are: Big Ed's Used Farms, Cloud 149, Fevered Dream of Hernando deSoto, Goodnite Irene, Kathleen, Kingdom Come, Life Stinks, Smoke The BBQ, Vacuum In My Head, and Winter In The Firelands.
Jim Jones
Pere Ubu at CBGB's
Mojo NAP
ICFOS Hit!
"Pere Ubu have created a sympathetic and subtle soundtrack which works with the film rather than stamping their distinctive mark on it." -- Lilly Peel, The Argus, 11/13/04. "They turned a B-movie into a series of menacing peaks and troughs and the overall art experiment was very much a success." -- The Scotsman, 11/10/04. "Ubu's driving industrial rhythm are pulled back into moody atmospherics and primitive electronic squiggles." -- The Herald, 11/10/04.
David Thomas, Monster
The re-packaging will make it easier to keep the box in stock by reducing the complexity and stock costs of the previous fabrication. The Meadville disk was dropped because (1) the 5-cd multiway jewel case is flimsy and unpleasing, and (2) Meadville was always meant to be a bonus disk. (In answer to the inevitable complaints-- you had 7 years to buy it...!) Meadville will be re-released in some way at some point in the near future. Ubutique has a few of the original Monster boxes (with Meadville) left. The Variations On A Theme disk has been reconfigured, partially in response to some fan requests. Some of the original 1983 mixes have been included and the remixes have been re-mastered. The UK release of the Monster reissue was Nov 1 2004, the US release was Nov 11.
Wait For It
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29-Apr-05
"I Quit!" Shock
"I will no longer tolerate the injustice whereby should you create music you are hounded and penalized by racist do-gooders," Mr Thomas said. "Whereas if you simply suck on the teat of the musical welfare state, i.e. if you DJ, you are not. Henceforth I shall suck the teat of the musical welfare state. I have become a DJ."
NOW JAPAN
German, Dutch, Spanish, Japanese and Belgian Surcharge
The Rose & The Briar
The books is 320 pages with contributions from R. Crumb, Dave marsh, Joyce Carol Oates, Jon Langford, John Rockwell, and others. A companion cd will be released by Columbia.
BBC Album of the Week
iTUNES
18 Monkeys, etc.
One Man Drives, etc.
Rocket Redux 2
The genesis is as follows. Following the hugely successful June tour we decided to undertake a tour out west to complete a circuit of the country. In order to satisfy a stream of requests after every show, we decided to record the current set of material with the new band and sell it as a concert merchandise only item. Richard Lloyd engineered, produced and mixed the new recordings at his studio over a couple lost weekends. Along the way we got excited about the outcome and decided to release it commercially. Clearly, credibility is stretched now on the official line that this is not a reunion. Nevertheless, it continues to be the case. Here are the unadulterated facts: (1) We really like playing these songs with each other-- it is satisfying; (2) The mix of personalities is about as stable as nitroglycerine; (3) We actually like each other as people and enjoy each other's company so the 8 flaming rows that erupt each day we are together in the same place at the same time are quickly forgiven; (4) It will not be a "real" band until we start writing new material; (5) This group of people may not be able to write new material together; (6) If we can't write new material of proper quality and nature we don't want to feel like we're stuck together-- we simply part our ways and say to each other, "It's been fun." Describing the recent shows, David Fricke, editor of Rolling Stone, wrote, "No on else in American rock, underground or over, in 1974 and '75, was writing and playing songs this hard and graphic about being f**ked over and fighting mad. No one else is doing it now." Greg Kot in the Chicago Tribune wrote, "Rocket From the Tombs is not just the great lost proto-punk band of the '70s. It's one of the best bands of the 21st Century too."
Shape of Things
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2-Mar-05
MC5 & Sun Ra Arkestra
Gary Lupico passes away
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16-Feb-05
Greatest Hits
Rules: (1) Only 35 songs; (2) Only songs performed by Pere Ubu; (3) No covers. Please write in the "Subject:" line of your email the phrase "Greatest Hits Project". We hope to license individual Fontana-era tracks so these should be included in your calculations. We are getting a number of suggestions for formats, etc. These are appreciated and we are considering all possibilities.
The Immortals
Slow Walking Daddy
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22-Nov-04
ICFOS at The Ocean, Hackney
Bowery Poetry Club
It Came From Outer Space
"1950s cold war paranoia with the dark vision of Pere Ubu" -- The Guardian "The audience placed its red and green 3D spex upon its collective nose, and ducked and dived as shards of rock and laser beams poured out of the screen. David Thomas, old daddy Ubu himself, added some witty touches to the dialogue. This live band/3D movie thing could catch on." -- The Evening Standard "Pere Ubu have raised the standard for live soundtracks." -- Glenn Max, Musical Director Contemporary Culture, The South Bank, London. |
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31-Aug-04
New web site
Summer Plans
FLASH!
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26-Apr-04
NINO ROTA
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18-Apr-04
FIRESIGN THEATRE
"An unbelievable evening of song, laughter, shouting and fear" -- Dag Bladet (Oslo).
For the London show Ubudoll will be joined on stage by long-time Jackie Leven sideman, Breton multi-instrumentalist Michael Cosgrave, adding keyboards and trumpet to their voices, guitar and melodeon. The material will be drawn from many points in their respective recording careers, and also from the Cooking Vinyl recording collaborations between the two men over the past 6 years: expect to hear (amongst others) Jackie singing 'Morbid Sky' from David's avant garage musical MIRROR MAN, and David perform the Rainer Maria Rilke prose poem 'Faces' from SHINING BROTHER SHINING SISTER, last year's studio album from Jackie.
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3-Mar-04
Wasted
"I felt a shudder of disappointment, and then I chided myself for various presumptions. Then I determined to write to you and find out what's up with you letting your work be used in ads." Thank you for your concern. I have to say I have a different take on the whole issue. Wasted appears very prominently in a 1994 Hollywood movie called SLEEP WITH ME. No one has ever voiced concerns about its use. The American corporation is held to a higher standard of accountability than the Hollywood producer and is more trustworthy. I am not claiming either to be paragons of virtue. I simply point out the relative standing of the two. We like selling things. We like the marketplace and we consider it a healthier environment than the realm, for example, of state-subsidized art. I really can't get excited about the track being used for a commercial. In any case, we don't own the copyright to that album. Another fan weighs in: "If McDonald's were to give a free copy of Doc at the Radar Station with every Happy Meal, the fact that it's a great record wouldn't change." And another: The juxtaposition of "Throwing time away..." and an advertisement telling me to "Get a new job" blooms very nicely, i.e., not always in the way Monster.com intends. And another: It's true that if McDonald's gave away a free copy of Doc at the Radar Station with every Happy Meal, it wouldn't change the fact that it's a great record; it also wouldn't change the fact that it's a great product. I don't distinguish between Virgin Records and McDonalds; they would both be doing the same thing with that album. Similarly, the fact that Wasted is used in an advert makes no difference to its intrinsic value. |
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22-Feb-04
Sentimental Journey
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16-Jan-04
Benefit for Jim Jones
We have had a number of requests to contribute to the benefit. There is a form to give by PayPal at the Suburban Home of Ubu Projex. The New Salem Witch Hunters are re-uniting for the night to open the show |
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17-Dec-03
Saint Arkansas
A St Arkansas Resources page summarizes the important links. Read the incoming comments from our consumer family. The Mighty Road Tour begins in the midwest in September. A west coast tour will be booked early in 2003. No European dates are on the horizon yet. The tour t-shirt designs can be found at Ubutique.
David Thomas and the foreigners
New Speaker/Cranker
St Arkansas Centerfold
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17-Jun-03
Mirror Man: A Reading
Ken Hamann
"Ken Hamann, the Suma Recording Studio owner and engineer who died Friday, engineered some of the biggest rock 'n' roll hits to come out of Cleveland in the 1960s and '70s, from The Outsiders' "Time Won't Let Me," recorded in 1965, to Wild Cherry's "Play That Funky Music" in 1976. During his years with Cleveland Recording Co., he worked on the Lemon Pipers' gold single, "Green Tambourine," and the Human Beinz' hit, "Nobody But Me," both of which rocked the Billboard charts in 1968. Hamann also played a key role in engineering Grand Funk Railroad's first seven albums.
Rocket From The Tombs
And exactly why is it that you don't...
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17-Mar-03
The Mighty Road Tour West
There will be two shows in Seattle-- a concert of songs at the Crocodile Club and the other a live soundtrack performance to a 3-D screening of It Came From Outer Space.
Disastodrome 2003
The Mirror Man cast is David Thomas, Frank Black, Robert Kidney, Syd Straw, Bob Holman, Van Dyke Parks, Keith Moliné, Andy Diagram, Georgia Hubley, George Wendt and Jack Kidney. Rocket From The Tombs is David Thomas, Cheetah Chrome, Craig Bell, Richard Lloyd & Steve Mehlman. Complete Disastodrome Information, of interest to journalists especially, is available as an Adobe Acrobat PDF file. |
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2-Dec-02
Surf's Up In Bay City
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10-Oct-02
Mind Your Head
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25-Jun-02
What, No Solution?
Wilson Shute Bridge
Ubutique International
Mirror Man pix
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18-Jun-02
West End Boys
The Guardian (4/13/02) gave it 5 out of 5 stars. "Imagine an early-19th-century toy playhouse with fantasy figures dreamt up by a Victorian David Lynch. Other influences might include The Goon Show, Mary Shelley's Frankenstein, Monty Python, Goethe's Faust, Freud on obsessional neurosis and early Chaplin movies. I think that should cover everything and reassure the serious-minded that they can have a wonderful time with an untroubled conscience. A brilliantly funny evening." -- John Peter, The Sunday Times, 4/28/2. "Thomas' voice defied convention, rumbling and swooping as trumpeter Andy Diagram and guitarist Keith Moliné employ a series of effects to warp and enhance each melody... He [Thomas] is a huge presence, dominating the toy box set and contrasting comically with wiry Julian Bleach, with whom Thomas appears to be curiously furious throughout. There are some terrifyingly volatile moments, particularly during Johnny Head-In-Air when it seems Thomas will actually attack Bleach. This crackling tension, Thomas' dark intonations and the Two Pale Boys' creepy creaks and chords render the show far scarier than in previous productions." -- Maddy Costa, Time Out, 4/17/2. |
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4-Mar-02
Harry Smith Project
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28-Oct-01
Surf's Up!
Just in from Daved Hild!! The verdict we've been waiting for!! A FAQ page for Surf's Up! has been added with some interesting insights into the recording of the album. Surf's Up!, the new album from David Thomas and two pale boys, is scheduled for release Feb 20 2001 on Thirsty Ear (USA), Glitterhouse (Europe) and Bomba (Japan). The Glitterhouse UK release will be March 5. The song titles are: Runaway, Man In The Dark, Night Driving, Surf's Up, River, Ghosts, Spider In My Stew & Come Home / Green River. |
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2-Jul-01
Glitterhouse takes over Jimmy Bell
Mixing It
DT on TV
UBUDOLL on the web
French site
Royal Festival Hall
End of tour clearance
Therefore, until July 1 2001 and for those in the UK ONLY the following titles are offered at clearance prices while supplies last:
Mirror Man Dates Announced for UK!
The Kidney Brothers (Robert & Jack Kidney of 15-60-75) play The 12-Bar Club in London, Saturday, May 19th, 10pm. The address is 22-23 Denmark Place (near Leicester Square). The phone is 020 7916-6989. Highly recommended.
Moers Jazz Festival
Double Trouble
Rough Trade Days
30 Seconds Over Tokyo is included in the box set "25 Years of Rough Trade Shops" (Mute CDSTUMM 191).
Total Meltdown
Sisters of Mercy
2pbs on Mixing It
End of tour overstock DEALS!
Wasteland
David Thomas writes:
Steve Mehlman reports:
Kindness Of Strangers Update
David Thomas and two pale boys return to the best & oddest venue in England-- The Shed, Brawby, N. Yorks-- on Saturday, November 11, which is Bowl Day meaning something about feeding all who come... or something. Brawby being a no horse town in the middle of Utter Nowhere this is seen as a Good Thing food-wise. 27-Oct-00
Pere Ubu go home
Ubu appear in Lisbon for the first time Sep 26 at Aula Magna. Wayne Kramer (formerly of the MC5 and Pere Ubu), and his band, join Pere Ubu and 15-60-75 at the Royal Festival Hall, South Bank, London, on Wednesday, Sep 27, for 55 Years of Pain. Wayne will undoubtedly stand in with Pere Ubu on the songs he remembers from his (brief) stint in the group. 15-60-75 is the grand-daddy of the Cleveland scene. They changed the lives of everyone who's seen them. Do not miss this opportunity. Robert Kidney and his brother Jack appeared at Disastodrome a couple years ago. Now they bring their entire band. As well, David Thomas broadcasts late nite radio to no one at all across a lost continent in the premiere of his one man show, "Surf's up in Bay City" at Beyond Baroque in Los Angeles on Oct 6. "Based on stories found, or not, in his acclaimed opera, Mirror Man, Thomas evokes surreal, sensual and visceral visions of the troubled space between memory and reality." 9-Sep-00Audio stream "Black Coffee Dawn" at Terra Soundtralis Incognita. 4-Aug-00
Kindness Of Strangers
As much as we'd like to simply walk away from the situation we can't. Because of the way the system works, effectively, we cannot reissue Raygun Suitcase, EREWHON, Monster or Pennsylvania in the US until Mr Lindsay issues a notice of deletion. It is an absurdity yet there it is. Consequently we look to call once more on the kindness of strangers. If you are an attorney based in Oregon, or if you know of one who would be interested in helping us, please contact Nick Hobbs, charmenko@atlas.co.uk or +44-020-7274-6618 12-Jun-00Jimmy Bell's Still In Town by 15-60-75 is available on cd for the first time. Recorded in May 1975 and unavailable for decades, Reedurban Records is producing handmade copies. Note that this is the only good album ever recorded by anyone. The rest of us have just been putting in our time on the planet. David's comments from the booklet: Found this note at the Ubu newsgroup in re the Italian vinyl pressings: "The new vinyl pressing of "Dub Housing" on Get Back Records sounds great! The source tape for this pressing is the remastered version that was used for the CD reissue on Thirsty Ear. As an added bonus the sleeve is gatefold and the inside photo is the same skyline shot used in the CD reissue only a heck of alot bigger. Looks very impressive in 12" x 24". The outer sleeve remains visually unchanged from the original." The Modern Dance and New Picnic Time have been reissued on vinyl by the same company. Vinyl reissues of The Art of Walking, Song of The Bailing Man and Terminal Tower are in the works. A theatrical production of both acts of Mirror Man has been booked for the Victoriaville Festival, May 21 2000, in Victoriaville, Quebec. Appearing are David Thomas, Linda Thompson, Bob Holman, Andy Diagram, Robert Kidney, Jack Kidney, Chris Cutler and Keith Moliné. Scenic & lighting design: Danny Grace. Sound: Paul Hamann. Pere Ubu have recorded a track called "Wasteland" for a compilation that Wayne Kramer is producing. 24-Apr-00Ubu Projex has signed a non-exclusive deal with ATRecordings allowing them to market certain releases on the internet. The first such release will be Bay City by David Thomas and foreigners. A credit card facility for mail order sales of cd releases, free streaming and the sales of individual MP3 files will be provided. In time we hope to make the entire Ubu catalog available and to distribute internet only releases of a number of hitherto unreleased live albums. All such internet releases will be available as mail order cds and MP3 files. When the page is up we'll email details. 4-Apr-00We have finally responded to questions about the vinyl pressings of The Modern Dance. The Bug Report, "1975-2000: 25 years of error... & bravely beyond!", has been updated with our Notes on Vinyl Pressings. 28-Mar-00Christopher Bryant is advertizing Pere Ubu in his Autumn 2000 Inertia Tour lineup in spite of repeated statements from us that we were not interested in appearing. No, we are not appearing on the bill. 25-Mar-00David Thomas duets with Jackie Leven twice on Jackie's new cd, DEFENDING ANCIENT SPRINGS (Cooking Vinyl CookCD 191). One of the songs is "You've Lost That Lovin' Feeling." Peter Murphy's version of Final Solution appears on his best of compilation, Wild Birds, on Beggars Banquet. |